
Vertigo
Director: Had to be Hitchcock
Starring: James Stewart, Kim Novak, Barbara Bel Geddes, The City of San Francisco
1958
It is not understating it to say that Vertigo is the ultimate Hitchcock movie, but you have to ask yourself, “Why?” Hitchcock is known as the master of suspense, but the mystery in Vertigo is solved and all is revealed with a third of the film left to go. In terms of mystery, Vertigo doesn’t fit with other Hitch standards like Rear Window or North by Northwest. No, this is the ultimate Hitchcock film for an entirely different reason. Of all his work, Vertigo is clearly the most personal, the most intimate, the most soul-baring piece of film he ever presented. And it is this fact that also makes Vertigo his most disturbing film.
Stewart plays John ‘Scottie’ Ferguson, a former police detective forced to retire due to psychological and physical issues surrounding an incident that left another cop dead and him hanging from the side of a building. An old friend from college convinces Scottie to do some private detective work for him, following his wife around. Apparently, Madeleine the wifey (Novak) is slightly off her rocker and appears to be possessed by the spirit of a melodramatic nineteenth century ghost, intent on getting wifey to kill herself. Scottie is immediately smitten with Madeleine, and things go from complicated to downright twisted.