Monsoon
Wedding
2001
Director: Mira Nair
Starring: Naseeruddin Shah, Vasundhara
Das, Shefali Shetty, Vijay Raaz
There
was a time in my life, for quite a few years, actually, when my cinematic diet
consisted entirely of the same fare that is Monsoon Wedding. In the past ten years or so, I’ve stretched
myself, imbibing film after film that is far beyond genres I usually watch,
learning to love movies outside my comfort zone. It’s been a wonderful experience, and one
that I wouldn’t change, but every now and then, it feels incredibly comforting
to settle down with a frothy little romantic dramedy. Seeing Monsoon Wedding for the first time
took me back, man.
Aditi
(Das) is getting married. Her father
(Shah) is stressed, the wedding planner (Raaz) is an incompetent goofball, and
her cousin Ria (Shetty) seems to be depressed.
Aditi herself isn’t terribly jazzed about the arranged marriage to an
Indian man from Houston, Texas she’s never met, especially as she’s still in
love with her married ex-boyfriend. As
the scores of relatives descend upon the family house for the days of wedding
ceremonies, romance blossoms in unlikely places just as old family secrets are
revealed. Nothing like a wedding to
bring out the best – and worst – in people.
Undoubtedly,
the central theme of Monsoon Wedding is the universality
of the Crazy Family. This is a film cut
from the same cloth as My Big Fat Greek Wedding, with a
cast of cacophonous characters doing their best to confuse you with their
identities and separate plights. There
are several storylines continually being developed by the rather large cast,
but in the end, it doesn’t matter, because it’s really just about this family
muddling through. Wait, there’s one
scene where the father mentions money problems but it doesn’t really go
anywhere? No worries. The story of the younger brother being sent
off to boarding school feels markedly unresolved? Don’t trouble yourself. Just as in real life, not every tangent can
find a conclusion in the time span of a long weekend. Monsoon Wedding is about family,
plain and simple, and how everyone in the family carries their own cross to
bear, but ultimately love, be it romantic or familial, finds a way to
triumph.
Multiple
plotlines and large casts can feel confusing, and when you add in the fact that
Hindi, Punjabi, and English are all spoken in Monsoon Wedding,
sometimes even in the same five minute period, the film constantly feels as
though it’s teetering on a knife’s edge.
Credit where credit is due, then, to director Mira Nair, who manages to
keep all the balls in the air and continually moves the film forward by
focusing on Aditi’s wedding ceremony.
I’ll admit I was a bit overwhelmed during the first half hour of the
film, but when I realized that this is a classic example of ensemble casting –
and when I turned on the English subtitles for the English lines – everything
started to fall into place. I might not
have every character’s name down pat, but by the end, I knew who was interested
in whom and how the conclusion benefited which person and why. Everything comes out in the wash.
The
romance in Monsoon Wedding was rather lovely. Although overshadowed by the focus on Aditi’s
wedding and her angst about an arranged marriage and her ex, my favorite of the
multiple romantic plotlines was easily that of inept wedding planner Dubey and
household maid Alice. Aditi’s family is
most definitely upper middle class, if not upper class, and this was the one
part of the story that dared delve into class distinctions in India. Dubey is shown to live in a tiny apartment
with a nagging mother, and Alice is the maid.
Watch her face when she first accidentally bumps into Dubey and he says
“Forgive me.” You can read her shock
that she wasn’t blamed for the accident, that it wasn’t assumed it was her
fault. Right from that very first
moment, I knew how this romance would blossom, but I didn’t care that it was
already spelled out. I wanted to watch
these two, whose lives were definitely a bit harder and rougher than Aditi’s
family, find their little bit of happiness.
The fact that Aditi’s family includes them in their own wedding ceremony
at the end of the movie is heartwarming.
Like
every decent romantic dramedy out there, there is more than a whiff of the
fairy tale in Monsoon Wedding. Things
wrap up a little too nicely, especially in Aditi’s plot line, to be
believable. At all. Not every plot line is based on romance, but
even in the more serious story line, things seem to resolve a little too
nicely. But you know what? I’m okay with that. I wasn’t expecting hard-hitting realism in a
story about an Indian upper class wedding.
It’s nice, every now and then, to bid adieu to any semblance of real
life and live in a world where everyone gets their happy ending. Like I said, I used to subsist on a cinematic
diet of nothing but films like this. I
welcome the fairy tale, the fantasy, the happy ending.
And
yet what really makes Monsoon Wedding work is that it is a
fairy tale masquerading as a real life story.
There is a great blend of the two, and although the story tiptoes near
the borders of Bollywood excess, it never pushes over the edge. Sweet without being sickening and with just
enough emotional poignancy to make it feel substantial, Monsoon Wedding achieves
its goal. It’s diverting, escapist,
well-made fun.
Arbitrary
Rating: 8/10
I liked this film quite a bit. I worked for a man originally from India. He said the most unrealistic thing in it was the romance between the wedding planner and the servant because you just don't cross those class boundaries. I asked about some of the other things, like when one of the families talks about the other - "You Bengalis are so..." and he said that was spot on.
ReplyDeleteOne note on the wedding planner. I didn't see him as incompetent, but extremely smart is getting every rupee he could. For instance when he brings in a cover for the ceremony it's not waterproof. The father of the bride points it out and the wedding planner says, "Oh, you want a WATERPROOF cover? My my my. That's going to be more expensive." Of course the father wanted one since it was monsoon season, but since he didn't explicitly ask for one, the planner tricked him. My former boss said this was also spot on. It's like in this country when a contractor builds an addition on a home then when the homeowner asks where the heating comes from the guys says "You want heat? That will raise the estimate we agreed on quite a bit."
Thanks for the insight on the cultural accuracies/discrepancies. To my very non-educated mind, the fact that the wedding planner was seen living in relative squalor with his mother put him in the same class (and/or caste, if that's the right word, but if it's not, please forgive me) as Alice the maid. I wasn't aware that even then there are additional class differences. So good to know!
ReplyDeleteThe movie did ring very true with family dynamics, and not just Indian family dynamics. I mean, family's family, and I found a great deal of things to relate to with all the crazy families in Monsoon Wedding.
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